Each Drip piece has a distinctive drip-shaped base that captures the transition from liquid to solid, combining fluidity with durability. Designed to elevate daily moments, these vessels bring a touch of sensory delight to dining.

The mother moulds are made from beeswax blanks that are repeatedly dipped into hot wax until droplets form naturally on the underside.These droplets, “frozen” into place, now function as stands. Each wax model holds a distinct, fingerprint-like individuality, where the technique is visibly and tangibly embedded into its form.

The mother moulds are made from beeswax blanks that are repeatedly dipped into hot wax until droplets form naturally on the underside.These droplets, “frozen” into place, now function as stands. Each wax model holds a distinct, fingerprint-like individuality, where the technique is visibly and tangibly embedded into its form.

Each Drip piece has a distinctive drip-shaped base that captures the transition from liquid to solid, combining fluidity with durability. Designed to elevate daily moments, these vessels bring a touch of sensory delight to dining.

Each object comes with a stamped and signed certificate of authenticity that includes its edition number.

Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.

Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.

Each object comes with a stamped and signed certificate of authenticity that includes its edition number.

Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.

Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.

Each object comes with a stamped and signed certificate of authenticity that includes its edition number.

Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.

Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.

Each object comes with a stamped and signed certificate of authenticity that includes its edition number.

Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.

Each form begins as a small hand-drawn sketch before being modelled in beeswax and converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.

Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.

Each object comes with a stamped and signed certificate of authenticity that includes its edition number.

Each form begins as a small hand-drawn sketch before being modelled in beeswax and converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.

Each object comes with a stamped and signed certificate of authenticity that includes its edition number.

Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.

Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.

Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.

Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.

Each object comes with a stamped and signed certificate of authenticity that includes its edition number.

Each object comes with a stamped and signed certificate of authenticity that includes its edition number.

Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.

Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.

Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.

Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.

Each object comes with a stamped and signed certificate of authenticity that includes its edition number.

Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.

Each object comes with a stamped and signed certificate of authenticity that includes its edition number.

Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.

Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of slender, sharply defined vessels.

Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play.

Torn recalls fractured seashells scattered along the coast. Each wafer-thin bowl features torn, paper-like edges and subtle variations, creating a tactile elegance while adding an element of the unexpected.

Each piece, crafted with precision, begins as a thin sheet of white porcelain lightly dusted with pigment. Draped over a mould, the material naturally folds into graceful, organic shapes. Once fired, the bowls allow light to pass through, while the addition of transparent glaze highlights their intricate, delicate surfaces.

Each piece, crafted with precision, begins as a thin sheet of white porcelain lightly dusted with pigment. Draped over a mould, the material naturally folds into graceful, organic shapes. Once fired, the bowls allow light to pass through, while the addition of transparent glaze highlights their intricate, delicate surfaces.

Torn recalls fractured seashells scattered along the coast. Each wafer-thin bowl features torn, paper-like edges and subtle variations, creating a tactile elegance while adding an element of the unexpected.