Figure 04, Sichel/Mond
White
Each object comes with a stamped and signed certificate of authenticity that includes its edition number.
Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.
Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.
One Size 32×20×6cm 0,9kg Hollow forms with holes to possibly hold flowers
Figure 04, Sichel/Mond
Yellow
Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.
Each object comes with a stamped and signed certificate of authenticity that includes its edition number.
Hollow forms with holes to possibly hold flowers
One Size 32×20×6cm 0,9kg Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.
Figure 04, Sichel/Mond
Green
Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.
One Size 32×20×6cm 0,9kg Each object comes with a stamped and signed certificate of authenticity that includes its edition number.
Hollow forms with holes to possibly hold flowers
Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.
Figure 05, Blume
White
One Size 34×17×7cm 0,5kg Hollow forms with holes to possibly hold flowers
Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.
Each object comes with a stamped and signed certificate of authenticity that includes its edition number.
Each form begins as a small hand-drawn sketch before being modelled in beeswax and converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.
Figure 05, Blume
Green
One Size 34×17×7cm 0,5kg Each object comes with a stamped and signed certificate of authenticity that includes its edition number.
Hollow forms with holes to possibly hold flowers
Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.
Each form begins as a small hand-drawn sketch before being modelled in beeswax and converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.
Figure 06, Ornament
Green
Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.
One Size 37×26×5cm 1,2kg Each object comes with a stamped and signed certificate of authenticity that includes its edition number.
Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.
Hollow forms with holes to possibly hold flowers
Figure 06, Ornament
White
One Size 37×26×5cm 1,2kg Hollow forms with holes to possibly hold flowers
Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.
Each object comes with a stamped and signed certificate of authenticity that includes its edition number.
Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.
Figure 07, Martini
Yellow
Hollow forms with holes to possibly hold flowers
Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.
Each object comes with a stamped and signed certificate of authenticity that includes its edition number.
Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.
One Size 40×32×10cm 0,9kg Figure 08, Bubbles
White
Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.
Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.
Each object comes with a stamped and signed certificate of authenticity that includes its edition number.
Hollow forms with holes to possibly hold flowers
One Size 37×30×9cm 1,2kg Figure 08, Bubbles
Blue
Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play. But when filled with water to add a flower, the object transforms into a vase.
Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of limited editions, consisting of thirty slender, sharply defined vessels.
Each object comes with a stamped and signed certificate of authenticity that includes its edition number.
Hollow forms with holes to possibly hold flowers
One Size 37×30×9cm 1,2kg Heel Mug
Yellow
Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play.
One Size 14×10×7cm 0,2kg,0,33ml Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of slender, sharply defined vessels.
Stackable statement mug with glass-filled handle